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was one of several first main movies to feature a straight marquee star being an LGBTQ lead, back when it had been still considered the kiss of career Demise.
We get it -- there's a great deal movies in that "Suggested For yourself" segment of your streaming queue, but How does one sift through every one of the straight-to-DVD white gay rom coms starring D-list celebs to find something of true substance?
Back during the days when sequels could really do something wild — like taking their big poor, a steely-eyed robotic assassin, and turning him into a cuddly father determine — and somehow make it feel in line with the spirit in which the story was first conceived, “Terminator 2” still felt unique.
In 1992, you’d have been hard-pressed to find a textbook that included more than a sentence about the Nation of Islam leader. He’d been erased. Relegated into the dangerous poisoned capsule antithesis of Martin Luther King Jr. In fact, Lee’s 201-minute, warts-and-all cinematic adaptation of “The Autobiography of Malcolm X” is still groundbreaking for shining a light on him. It casts Malcolm not just as flawed and tragic, but as heroic as well. Denzel Washington’s interpretation of Malcolm is meticulous, honest, and enrapturing in the film whose every second is packed with drama and pizazz (those sensorial thrills epitomized by an early dance sequence in which each composition is choreographed with eloquent grace).
This stunning musical biopic of music and style icon Elton John is one of our favorites. They don't shy away from showing gay sex like many other similar films, as well as songs and performances are all leading notch.
Unspooling over a timeline that leads up on the show’s pilot, the film starts off depicting the FBI investigation into the murder of Teresa Banks (Pamela Gidley), a intercourse worker who lived in a very trailer park, before pivoting to observe Laura during the week leading nearly her murder.
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Davis renders time period piece scenes being a Oscar Micheaux-inspired black-and-white silent film replete with inclusive intertitles and archival photographs. Just one particularly heart-warming scene finds Arthur and Malindy seeking refuge by watching a movie in a theater. It’s temporary, but exudes Black Pleasure by granting a rare historical nod recognizing how Black people with the previous experienced more than crushing hardships.
These days, it can be hard to independent Werner Herzog from the meme-driven caricature that he’s cultivated Because the good results of “Grizzly Gentleman” — his deadpan voice, his love of Baby Yoda, his droll insistence that a chicken’s eyes betray “a bottomless stupidity, a fiendish stupidity… that they are the most horrifying, cannibalistic, and nightmarish creatures within the world.
The dark has never been darker than it's in “Lost Highway.” In reality, “inky” isn’t a strong enough descriptor to the starless desert nights and shadowy corners humming with staticky pov porn menace that make Lynch’s first official collaboration with novelist Barry Gifford (“Wild At Heart”) the most terrifying movie in his filmography. This is often a “ghastly” black. An “antimatter” black. A black where monsters live.
” It’s a nihilistic schtick that he’s played up in interviews, in episodes of “The Simpsons,” and most of all in his personal films.
Steven Soderbergh is obsessed with money, lying, and non-linear storytelling, so it had been just a matter of time before anime sex he bought around to adapting an Elmore Leonard novel. And lo, inside the year of our lord 1998, that’s exactly what Soderbergh did, As well as in the procedure entered a new section of his career with his first studio assignment. The surface is cool and breezy, while the film’s soul is about regret and a yearning for something more away from life.
, Justin Timberlake beautifully negotiates the bumpy terrain from disapproval to acceptance to love.
David Cronenberg adapting a J.G. Ballard novel about people who get turned on by auto crashes was bound to sisswap become provocative. “Crash” transcends the label, grinning in perverse delight as it sticks its fingers into a gaping wound. Something similar happens from the backseat of an automobile in this movie, just a person while in the cavalcade of perversions enacted from the film’s cast of pansexual risk-takers.